Stipendiat:innen
Michele Abondano
photo: Camilo Pachón

Michele Abondano (*1981, Colombia) is a composer, experimental performer and researcher. Her work has been developed in the areas of instrumental music for soloist, chamber music, ensemble and orchestra, as well as electroacoustic music, including acousmatic compositions, experimental performances with live electronics, collaborations with dance, soundscapes, and installations. Her main interest is to explore timbre, especially, its multidimensional and dynamic condition. She has received the Ibermúsicas Prize of Composition and Premiere of Work, and the Grant for the Creation of Contemporary Music awarded by the Colombian Ministry of Culture.
Her electronic music has been programmed at international events such as SONIC MATTER Festival, Festival En Tiempo Real, OUA Electroacoustic Music Festival, and Audiograft Festival. Her instrumental works have been performed by soloists and ensembles including Collective Lovemusic, Aleksandra Demowska-Madejska, Riot Ensemble, SUONO MOBILE argentina, Sylvia Hinz, Kommas Ensemble, New Mexico Contemporary Ensemble, Rebekah Heller, and Ensemble New Babylon. Abondano was awarded a PhD in Composition at the University of Leeds. Her works are published by Babel SCORES.

photo: Camilo Pachón
photo: Camilo Pachón

“The Inner of Matter“ is the first electroacoustic composition of a series of timbrescapes that respond to the hybrid possibilities between the creation of a timbral experience and the interaction with a particular soundscape; in this case, the Künstlerdorf. Here, the soundscape was recorded and electronically processed. Objects of diverse materials were collected to create a set for some improvisation sessions, which were recorded and processed as well, thus the compositional process focused on the timbral creation of an hybrid experience between the acoustic and the electronic entities. The inner in this work is approached as a scrutiny of the inside of each source. The search for the internal content and structure of matter in each object. Scraping, cutting, digging or extracting, I attempted to capture their uniqueness, expanding or even disrupting their nature.